Basic Information
| Field | Detail |
|---|---|
| Full name | Dane Luke Majors |
| Birth year | 1992 (some records list Oct 22, 1992) |
| Primary occupations | Actor; cultural entrepreneur (music/retail) |
| Notable screen credit (selected) | Alone (2020) — credited on film databases |
| Parents | Lee Majors (father), Karen Velez (mother) |
| Grandparents | Carl Yeary, Alice Yeary |
| Siblings / close family | Nikki Majors; Trey Kulley Majors; half-brother Lee Majors II |
| Reported post-acting activity | Operated / was involved with a record shop and bar in New York (reported in lifestyle profiles) |
| Public net worth | No authoritative public figure; editorial estimates put him in the low hundreds of thousands (unverified) |
Family, Roots, and the Shape of the Story
I like to think of families like film scores — recurring themes that change tempo when the camera cuts. In Dane Luke Majors’ case the leitmotif is Hollywood lineage. He is the son of Lee Majors — the actor who became shorthand for action-hero TV in the 1970s and ’80s — and Karen Velez, whose own public profile adds color to the family portrait. That pedigree places Dane inside a living archive of pop-culture references: The Six Million Dollar Man, The Fall Guy, the whole TV-stunt heritage — and yet, that’s just the overture.
His grandparents — Carl Yeary and Alice Yeary — are the quieter notes in the family score: the generational anchors. Circa the early 20th century lines of the Yeary family show up in public genealogy traces; they are the sort of names that remind you the story isn’t only about Hollywood glamour but also about ordinary lives that build up to a public one. Dane’s siblings — Nikki and Trey Kulley Majors — and a half-brother, Lee Majors II, round out a blended family that reads like an ensemble cast: different beats, overlapping scenes.
Numbers matter in family trees: multiple children, multiple marriages, decades of public attention. When I read about the Majors–Yeary household, I don’t just see names — I see generational arcs: a grandfather’s steady cadence, a legendary actor’s headline-making career, and a son who chose smaller stages at times, or perhaps a different kind of stage entirely.
Career: Film Credits, Side Streets, and the Record-Store Mythology
If you know credit rolls, you’ll spot Dane Luke Majors on cinematic databases with credits like Alone (2020). That year, the filmography lists him in indie projects and smaller features — the kind of credits that let you work with directors who like close, intimate shots: long takes, quiet scenes, faces in half-light.
But film credits are only one act. After a few screen appearances, the narrative in lifestyle profiles shifts: Dane not as perpetual leading man, but as a curator — someone who loves records, coffee, conversations and, reportedly, the odd late-night DJ set. I found recurring mention of a record shop and a bar in New York tied to his name: a hybrid business that reads like something out of a Wes Anderson set — vinyl on the wall, a bar counter with a neon glow, a small poster announcing a singer-songwriter for Tuesday night.
Let me be candid: I prefer confirmed company filings to hearsay as much as the next person. Where the receipts are thin, the rhythm of the story is held together by repeated reports — multiple profiles pointing to the same storefront dream. Whether he ran the business full-time, co-owned it, or helped start it, the image is powerful: a son of TV fame choosing curation over celebrity, choosing playlists and patrons over paparazzi.
If you line up dates: born 1992, credited on film databases in the 2010s and into 2020, and later described in lifestyle profiles as operating in New York — you see a pattern of a career that moved from camera to community, from screen to streets.
Public Life, Media Mentions, and the Social Echo
Public attention to Dane is measured, not manic. Major mainstream coverage focuses on the family — profiles of Lee Majors often include brief paragraphs about his children, including Dane. Smaller entertainment aggregators and celebrity bios repeat the same core facts: parentage, a handful of acting credits, and the New York-affiliated business venture. Social feeds with names close to his crop up — a few Instagram handles in the orbit, a tweet about a special-guest radio takeover — but verification is the tricky part: name collisions happen, and not every account with “Dane” or “Luke” in it is him.
Here’s the pragmatic arithmetic: one reliable family tie (son of Lee Majors), a handful of film credits recorded in major film databases, scattered lifestyle mentions about a record/bar project, and social media traces that hint but do not prove. The press cycle around him is slow-burn — more profile than scandal, more mixtape than tabloid.
Money Talk: Net Worth and the Practicalities
I’m straight with you: there is no authoritative public disclosure of Dane Luke Majors’ net worth. What the web offers are editorial estimates — a common industry shorthand — placing him in the low hundreds of thousands. That’s the kind of number that signals modest success, not megawatt celebrity wealth.
Why matters? Because family name, film credits, and small-business ventures don’t automatically translate to stockpiles of cash. The reasonable picture here is one of modest means framed by cultural capital: connections, access, and a recognizable name that opens doors — but not the same as a multi-million-dollar brand.
The Personal Beat — Relationships, Rhythm, and the Quiet Life
Personal relationships show up on the page as outlines. Dane’s immediate circle — parents, siblings, grandparents — are present in public narratives about legacy and inheritance of taste. There’s a quietness to the personal life sections: no high-profile marriages, no headline-grabbing romance; instead, the personal story reads like a vinyl record you put on to hear the cracks and warmth — people, places, and playlists that shaped him.
I like to imagine Dane at a late-night listening party: a small crowd, a smoky room, a record spinning and someone telling story after story. That’s the kind of personal life the public pieces sketch: intimate, local, and intentionally off-center from headline culture.
Filmography Snapshot (Selected)
| Year | Title | Role / Note |
|---|---|---|
| 2020 | Alone | Credited appearance on film databases |
| 2010s | Various indie features | Multiple smaller credits listed across film records |
FAQ
Who are Dane Luke Majors’ parents?
Dane is publicly identified as the son of actor Lee Majors and Karen Velez.
When was Dane Luke Majors born?
Most profiles list 1992 as his birth year; some records give Oct 22, 1992.
What is Dane’s profession?
He is credited as an actor in indie films and is reported to have been involved with a record shop and bar in New York.
Has Dane appeared in major films or TV shows?
His credits are primarily in smaller features — notable database entries include Alone (2020), not blockbuster studio headliners.
Is Dane Luke Majors wealthy?
There is no verified public net-worth disclosure; editorial estimates place him in the low hundreds of thousands, but that is unconfirmed.
Who are his grandparents?
His paternal grandparents are listed as Carl Yeary and Alice Yeary.
Are there verified social media accounts for him?
There are social handles with similar names, but public verification tying them definitively to Dane Luke Majors is not conclusive.
Does he run a business?
Profile writeups report involvement with a record shop and bar in New York, though the precise ownership and operational details are not publicly filed in the materials I reviewed.
