Basic Information
| Field | Details |
|---|---|
| Name | Daniel Borden Wheeler |
| Primary occupation | Artist / Sculptor / Fabricator |
| Public profile | Internationally exhibited artist; maintains an artist website and social accounts |
| Spouse | Maggie Wheeler (actress; married 1990) |
| Children | Two daughters — Juno and Gemma |
| Notable public notes | Often described as a maker of object-based, ceremonial and functional work; appears alongside spouse at public events |
| Website (public) | wheelermade.com |
| Net worth (publicly available) | Not publicly documented / no reliable figure found |
I write this as someone who loves the quiet storytelling of objects — the way a block of steel holds a history inside it, and the way a marriage hides its own small tectonics beneath public images. Daniel Borden Wheeler, at least in the public imagination, lives in that liminal space: a maker whose work sits between function and ritual, and a husband who shares a life with a woman the whole world recognizes by a laugh.
The artist’s outline — practice, presence, and what he makes
If you trace Daniel’s profile, you’ll find the language of craft and careful making: sculptor, fabricator, object-designer — words that imply hands-on work, measured in hours at the bench rather than in quick press cycles. He’s described as an artist who creates at a range of scales, from intimate objects to installations that suggest ceremonial or mindful spaces. That sensibility — objects as anchors for ritual, small things that ask you to stop — recurs in descriptions of his practice.
He keeps a public-facing atelier presence: an artist website and social media accounts that show process, projects, and the occasional finished piece. There are also mentions of film and production credits under similar names on entertainment databases, which suggests a creative life that brushes up against multiple industries — visual art, production, and the occasional public event.
A timeline in sparse, telling points
| Year | Event |
|---|---|
| 1990 | Married actress Maggie Wheeler |
| 1990s–2020s | Public descriptions indicate an active art practice with exhibitions and projects across years |
| Present | Maintains an artist website and social accounts; appears publicly with family at events |
Numbers matter here mostly as anchors: 1990 is concrete — the year two public lives became a private partnership — and the rest is best read as an arc rather than a ledger. Daniel’s career reads like a long, steady burn rather than a headline-driven blaze.
Family in the frame — Maggie, Juno, Gemma
I can’t resist the pop-culture juxtaposition: Maggie Wheeler is Janice — that unmistakable cackle from Friends — and yet the Wheeler household, behind the red carpet flashes, reads like a workshop and family kitchen in the same breath. Maggie’s public persona is bright and comedic; Daniel’s is quieter, revealed in materials and projects. Together they’re a little like a film in which contrast fuels the plot — comedy and craft, laughter and the meticulous patience of making.
Their daughters — Juno and Gemma — appear in public references mostly as the private children of a public couple; in interviews, Maggie has spoken about family life and scenes that anyone with children would recognize: small rebellions, big tenderness, the way daily routines become a family’s shared choreography.
Public-facing life: images, events, and the social trace
Daniel shows up in the parts of public life where art and celebrity overlap: gallery walls, studio posts, and the occasional red-carpet photograph with his spouse. He is not a tabloid regular; there are profiles that treat him as the curious and accomplished partner of a well-known actress, and artist profiles that take his practice seriously. Social media snapshots give us process photos and the odd behind-the-scenes moment, while press photos place him beside Maggie at premieres and industry events — the practical proof that two creative careers can weave together without consuming each other.
Money, fame, and the things that don’t show up on balance sheets
Here’s an honest line: there’s no reliable public net-worth figure attached to Daniel Borden Wheeler. That absence tells you something about his public life — he’s not cultivated a celebrity finance profile, and his public identity is anchored more in objects, exhibitions, and family than in headline wealth claims. In the age of curiosity about dollar signs, the absence is meaningful: a life more about practice than public valuation.
What I keep wondering as an observer
I’m drawn to the image of a studio where metal sings, where objects are built to be touched, to be used as a kind of private ritual. I picture Maggie’s comic timing and Daniel’s slow compositional patience crossing paths at home: one laughing at a perfectly timed joke, the other polishing an edge until it’s exactly right. It’s cinematic in a quiet way — less fireworks, more the steady light through a shop window at dusk.
FAQ
Who is Daniel Borden Wheeler?
He is an artist and sculptor best known publicly as the husband of actress Maggie Wheeler and as a maker who works in object-based and installation practices.
Is Daniel married to Maggie Wheeler?
Yes — they have been married since 1990.
Do they have children?
Yes — they have two daughters named Juno and Gemma.
What does Daniel create?
He works as a sculptor/fabricator, creating objects and installations often described as sitting between function and ceremonial meaning.
Does Daniel have a public website or social media?
Yes — he maintains an artist website and has public social accounts that highlight his practice and projects.
Is his net worth publicly known?
No — there is no reliable, publicly documented net-worth figure available for Daniel Borden Wheeler.
Has he appeared in films or production credits?
There are entertainment-database entries under similar names that suggest film or production credits, though some credits may overlap with people of similar names.
Where can I see his work?
Public-facing platforms like his artist website and social feeds are the best starting points to view projects, process images, and announcements about exhibitions.
